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Hergé (Georges Rémi dit): Snow card, China ink and watercolor on paper, 1942/43, original drawing and printed edition. Artcurial pre-sale estimate: 60,000 – 120,000 Euros / $66,000 – 132,000 (each). Copyright Hergé / Moulinsart 2016.
By Paul Ben-Itzak
Copyright 2016 Paul Ben-Itzak
Several years ago, taking the Thalys train from Paris to Brussels, I encountered a young Belgian psychologist who related how her grandmother had escaped from arriving at the death camps by jumping naked from a speeding train. So when I saw that the 20 original China ink drawings for a series of Christmas cards featuring Tintin and other characters — being auctioned off by Artcurial in Paris tomorrow for prices pre-sale estimated at a whopping $66,000 – $132,000 apiece — were designed by Hergé in 1942-43, I found it problematic that at a time when Belgian Jews were being deported from the occupied country to their deaths, Hergé was producing happy-go-lucky, business-as-usual Christmas cards to be sold to luckier Belgians.
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