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Poster designed by Michèle Forgues and Federica Nadalutti, and courtesy Ateliers d’Artistes de Belleville. Click here to read the Arts Voyager’s coverage of last year’s Open Studios / Portes Ouvertes de Belleville, and here to read our essay around the 2010 edition. And for more details on this year’s version, go here.
As of January 1, 2017, new Arts Voyager articles and art will be made available exclusively to subscribers and delivered via e-mail.
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Helmut Newton (1920 – 1984), “Veruschka on the Terrace of the Presidential Suite, Hotel Meridien, Nice,” 1975. Silver gelatin print, 7.48 x 11.42 inches. Signed, titled, and dated with artist’s stamp on back. Artcurial pre-sale estimate: 15,000 – 20,000 Euros. Image courtesy and copyright Artcurial.
One might think that scheduled as a curtain closer on the same evening as its monumental “From the Willy Ronis Inheritance” sale, which offers 163 lots starting with a 1926 self-portrait and finishing with a 1990 nude, book-ending no less than a photo-biography of a largely mid-20th century popular Paris, an auction entitled simply “Photography” might have trouble holding one’s attention. But if the scale is more modest, the scope of tonight’s second Artcurial auction is in a way more audacious than the Ronis sale, with one predominant — and timely — theme emerging: Frontiers. We’ve chosen to share a some samples, ranging from the intimate to the inter-galactic and finishing with a presidential epilogue, from, respectively, Helmut Newton, NASA, Ansel Adams, Andy Warhol, Man Ray, and Mark Seliger, whose portrait of a retreating Barack Obama is just begging to be Photo-shopped. – Paul Ben-Itzak
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This afternoon on French public radio, a high school student said that if she could vote in next May’s presidential election, she’d choose the Front National, because at least Martine Le Pen’s party would close the borders and keep the foreigners out so they’d stop attacking France. (Never mind, as a classmate pointed out, that the majority of those who have massacred more than 236 French and other nationals over the past two years here have been French.) All the more reason to give thanks for associations that continue to champion crossing borders and frontiers like the Ateliers d’Artistes de Belleville and L’Un dans l’Autre, the former of which is hosting an exhibition of the fruits of the latter’s May residence and collaboration with the Cuban artists of the Espacio Altamira in Havana. The exhibition runs December 8 – 11 in the AAB’s gallery at 1 rue Picabia in Belleville, Paris, with an opening night vernissage from 7 p.m. on. Featured artists include: Guillaume Berga, Luis Blanco, Sigolène de Chassy, Jorge Braulio Rodríguez, Jean-Christophe Cibot, Edel Bordon, Sarah Dugrip, Pablo Victor Bordon Pardo, Nicolas Dupeyron, Ignacio Carballo, Laurence Geoffroy, Michel Deschapells, Patrizia Horvath, Inès Garrido, Hector D. Palacios, Raul Villullas, Yamilé Pardo, Aissa Santiso, and Catherine Olivier, an Arts Voyager featured artist who took the bottom copyrighted photo of the collective work “Trinidad.” The top photo of the collective work “La Rampa” was taken by and is copyright Sarah Dugrip. — Paul Ben-Itzak
Georges Papazoff (1894-1972), “Tete,” circa 1928. Oil on canvas, 92 x 73 cm (36 1/4 x 28 3/4 inches). Signed at lower left. Pre-dates by 17 years Duchamp’s intergallactic View cover. Artcurial pre-sale estimate 20,000 – 30,000 Euros. Image copyright and courtesy Artcurial.
Ferdinand du Puigaudeau (1864-1930), “Jeune fille à la bougie,” 1891. Oil on thin cardboard laid down on canvas, 50 x 72 cm (19 3/4 x 28 3/8 inches). Signed and dated lower right. Du Puigaudeau landscapes available in this auction are also breathtaking. Artcurial pre-sale estimate: 20,000 – 30,000 Euros. Image copyright and courtesy Artcurial.
By Paul Ben-Itzak
Copyright 2016 Paul Ben-Itzak
“The opposite of war isn’t peace – it’s creation.”
–Jonathan Larsen, “RENT”
As my longtime readers know, even if Artcurial may be best known as France’s leading auction house, I venerate it as setting a curatorial example more museums would do well to follow. Not just because of its storied past as an art gallery which unabashedly announced its arrival in the mid-sixties, under the glamorous patronage of L’Oreal, in the previously hushed gallery ghetto of Paris’s 8eme arrondissement, but because of the artists I’ve been able to discover by thumbing through its auction catalogs, many of whom have been neglected by museums which have stashed their holdings away in the basement….
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Starting today, all new Arts Voyager stories and art will be distributed exclusively by e-mail, to subscribers. Subscriptions are just $49/year ($25/year, students and unemployed artists), and include archive access to both the Arts Voyager and the 2,000-article Archives of The Dance Insider, our sister publication. To subscribe, designate your PayPal payment in that amount to email@example.com . Or write us to at that address to find out about other payment methods and about paying in Euros or British pounds. If you are already an Arts Voyager or Dance Insider subscriber, you are already signed up. Special Offer: Subscribe before December 15 and receive a second subscription for free — the perfect holiday gift for the Arts Voyager on your list.