Liberté & Fraternité: Brassens stripped by Sfar

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“Brassens Danse.” ©Joann Sfar and courtesy Cité de la Musique.

brassens-doisneau“Georges Brassens au métro Glaciére avec un sans abri, 1953.” (Georges Brassens at the Metro Glaciere with a homeless man, 1953.) ©Robert Doisneau and courtesy Cité de la Musique.

By Paul Ben-Itzak
Copyright 2011, 2017 Paul Ben-Itzak

If there are four things the French adore, they are: anniversaries, anarchists, comics, and Georges Brassens. The new exhibition at the Cité de la Musique at the parc La Villette in the north of Paris, co-curated by comics giant Joann Sfar (author of “The Rabbi’s Cat” comics series and director of the film “Gainsbourg: A Heroic Life”) testifies to all these amours in a giant way, commemorating the 90th anniversary of the birth and 30th of the death of Brassens, France’s signature poet-troubador, in an creatively curated exhibition that uses comics to help revive the anarchist the patina of nostalgia has often obscured.

To receive the rest of the article from the Arts Voyager Archives, first published June 1, 2011, including more cartoons by Joann Sfar, Arts Voyager & Dance Insider subscribers can contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Arts Voyager & Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, employees, company, association and collective members, etc.) and receive full access to our  Archive of 2,000 articles by 150 leading critics on performances, film, and art and culture from five continents published from 1998 through 2017. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check or in Euros. Contact Paul at paulbenitzak@gmail.com .

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krazyBesides Tintin, among the 68% of lots on offer sold during Artcurial’s Paris Bandes Desinées (Comics) and Hergé sales last week-end which helped the auction house gross $4.72 million, surpassing its pre-sale estimates by nearly $500,000, was, above, a rare Sunday color strip from George Herriman (1880 -1944)’s surrealistic “Krazy Kat” strip. The china ink and watercolor signed and framed original, measuring 57 x 37 cm, is one of only 12 remaining color strip originals.. Estimated pre-sale at 35,000 – 45,000 Euros, the lot sold for 38,300 Euros, or $40,598. Image copyright and courtesy Artcurial.

On a marché sur le marché: Original Tintin page sells for record-setting $1.6 million

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It may represent just one small step for Tintin, Snowy, and Captain Haddock, but the price paid by a European collector Saturday at Artcurial Paris for the original page depicting  the Hergé characters’ landing on the moon from the 1954 “On a marché sur la lune” (We walked on the moon) represented one giant leap for Tintin-kind: 1,553,312 Euros ($1,646,510), doubling Artcurial’s pre-sale estimate of 700,000 – 900,000 Euros and the most ever paid for a single original page by Hergé. An ensemble of the originals for 20 Christmas-themed cards created in 1942-43, meanwhile — pre-sale estimated at 60,000 – 120,000 Euros a pop by the leading auction house for all things Tintin — yielded a total of 1.5 million Euros, or $1.5 million. It’s enough to leave even a life-long Tintin fan… speechless. Above: Hergé (Georges Rémi dit), historic page from the album “On a marché sur la lune,” published in 1954. Copyright Hergé / Moulinsart 2016. — Paul Ben-Itzak

Go tell it on the mountain (malgré tout) Tintin a l’ancienne & Beaujolais Nouveau

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Hergé (Georges Rémi dit): Snow card, China ink and watercolor on paper, 1942/43, original drawing and printed edition. Artcurial pre-sale estimate: 60,000 – 120,000 Euros / $66,000 – 132,000 (each). Copyright Hergé / Moulinsart 2016.

By Paul Ben-Itzak
Copyright 2016 Paul Ben-Itzak

Several years ago, taking the Thalys train from Paris to Brussels, I encountered a young Belgian psychologist who related how her grandmother had escaped from arriving at the death camps by jumping naked from a speeding train. So when I saw that the 20 original China ink drawings for a series of Christmas cards featuring Tintin and other characters — being auctioned off by Artcurial in Paris tomorrow for prices pre-sale estimated at a whopping $66,000 – $132,000 apiece — were designed by Hergé in 1942-43, I found it problematic that at a time when Belgian Jews were being deported from the occupied country to their deaths, Hergé was producing happy-go-lucky, business-as-usual Christmas cards to be sold to luckier Belgians.

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