Keith Haring. Manhattan Penis Drawings for Ken Hicks, 1978. Graphite on paper. 8 1/2 x 5 1/2 inches (21.6 x 14 cm). ©Keith Haring Foundation. Courtesy Gladstone Gallery, New York. First published on the Arts Voyager in 2012.
By Paul Ben-Itzak
Text copyright 2016 Paul Ben-Itzak
Today my DVD deck on my more or less brand new lap-top broke down just after I’d popped in “Breakfast at Tiffany’s” for my annual refresher course in pursuing one’s dreams and fleeing one’s disappointments with panache. Every year Blake Edwards’s film of Truman Capote (note to French media: It’s CA-POE-TEE not CA-POHT)’s novel teaches me something new. Two years ago, I finally understood why George Peppard’s insisting, “You belong to me, Holly” is not misogynistic. (If I told you there would be no need for you to view the film.)
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Hergé (Georges Rémi dit): Snow card, China ink and watercolor on paper, 1942/43, original drawing and printed edition. Artcurial pre-sale estimate: 60,000 – 120,000 Euros / $66,000 – 132,000 (each). Copyright Hergé / Moulinsart 2016.
By Paul Ben-Itzak
Copyright 2016 Paul Ben-Itzak
Several years ago, taking the Thalys train from Paris to Brussels, I encountered a young Belgian psychologist who related how her grandmother had escaped from arriving at the death camps by jumping naked from a speeding train. So when I saw that the 20 original China ink drawings for a series of Christmas cards featuring Tintin and other characters — being auctioned off by Artcurial in Paris tomorrow for prices pre-sale estimated at a whopping $66,000 – $132,000 apiece — were designed by Hergé in 1942-43, I found it problematic that at a time when Belgian Jews were being deported from the occupied country to their deaths, Hergé was producing happy-go-lucky, business-as-usual Christmas cards to be sold to luckier Belgians.
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