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Affordably-priced Sponsor ads are now available for the Arts Voyager’s upcoming coverage of performances and exhibitions from all over the world coming to Paris this Spring and Summer. Rates start at just $69 when you sign up before May 15. For more information, e-mail email@example.com by pasting that address into your e-mail browser.
Journaliste et traducteur americain experimenté, basé en Dordogne,
cherche echange travail – logement Parisien mi-mai – mi-juin ou juillet pour pouvoir ecrire sur la scene parisienne (y compris les Portes Ouvertes de Belleville) et assister a une festival de traduction. C’est possible qu’un co-location ou un sous-location pas chere pourrait aussi marcher. Avec moi j’ai une petite chatte blanche, très propre et pas du tout bavard. Voici quelques infos sur moi (et
mes multiples talents et atouts). Et voici mes autres journaux, Maison de Traduction et Dance Insider . Merci et a bientôt! — Paul Ben-Itzak. Contacter firstname.lastname@example.org. Art par Edward Winer.
Subscribe to the Dance Insider & Arts Voyager today for just $29.95/year or 29.95 in Euros and get complete access to our 20-year archive of more than 2,000 exclusive reviews of performances and exhibitions on five continents by 150 writers, plus Paul Ben-Itzak’s commentaries on the Paris and New York scenes, art, Jill Johnston & more. Just designate your PayPal payment in that amount to email@example.com , or write us at that address to find out about payment by check. Institutional rate of $99 or 99 Euros/year gets full access for your entire company, school, etcetera. Sponsorships start at just $49/month and include placements like that above of DI sponsor Freespace Dance. Photo of Freespace Dance’s Donna Scro Samori and Omni Kitts by and copyright Lois Greenfield. Sign up as a sponsor before May 1, 2017 and receive a second month free. Contact firstname.lastname@example.org .
Christophe Martinez, Untitled #1, 2017. 146 x 115 cm unframed and without margins. Pigment print on paper. Oeuvre unique. Copyright Christophe Martinez.
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NOTE DE PRESENTATION (English Translation Follows)
Textures et lumières: Sans affection particulière, ni volonté documentaire, les photographies produites sont issues de technologies hybrides…. Pour Christophe Martinez, la chambre photographique produit plutôt qu’elle n’enregistre. Penser, essayer, opérer, transformer, sous la seule réserve d’une recherche d’équilibre où n’interviennent que des phénomènes travaillés. C’est ainsi qu’une somme d’actions et d’expérimentations aboutissent à un d’accompagnement des techniques et des matériaux photographiques. Une forme de capillarité lumineuse par les lois fondamentales de l’optique, de la nature de la lumière, de la photochimie ainsi que des pratiques numériques. Ces différents protocoles échangent leurs répliques dans une danse à la fois élémentaire et sensible.
Christophe Martinez est né en 1978. Il vit et travaille à Paris. Pour l’artiste se sont les conditions de la photographie et les dispositions de la matière photographique s’imposent en premier. C’est dans ce cadre qu’il va développer des variantes de recherche et d’approfondissement autour des questions qu’il se pose.
Christophe Martinez, Untitled #2, 2014 115 x 146 cm unframed and without margins. Pigment print on paper. Oeuvre unique. Copyright Christophe Martinez.
(For the complete portfolio of 22 images, visit our sister site the Maison de Traduction.)
Textures and light: Without any particular pre-meditated inclination, nor any specific documentary intent, the photographs produced result from hybrid technologies…. For Christophe Martinez, the darkroom produces rather than simply records. Reflect, attempt, operate, transform, with the sole condition being the search for an equilibrium where only methodically developed phenomena intervene. Thus a sum of actions and experiments leads to a marriage of techniques and photographic matter. A form of luminous capillarity arrived at by applying fundamental laws of optics, nature, and light, and with the use of both photo-chemical and digital processes. These different protocols dialogue in a dance at the same time elemental and sensitive.
Christophe Martinez was born in 1978. He lives and works in Paris. For the artist, it is above all photographic conditions and the disposition of photographic material that prime. It is in this framework that he has developed the variants of his research and the depth surrounding the questions that he poses.
(For the complete portfolio of 22 images, visit our sister site the Maison de Traduction .)
Curated by Paul Ben-Itzak.
Text by Christophe Martinez, translated by Paul Ben-Itzak.
Pour tout renseignment / For information contact :
Français: Christophe Martinez, firstname.lastname@example.org
English or Français: Paul Ben-Itzak, email@example.com
By Paul Ben-Itzak
Copyright 2010, 2017 Paul Ben-Itzak
PARIS — Up until two weeks ago, I spent my evenings regarding a Marseille-based soap opera, “Plus belle la vie,” romantic comedies, and ‘policiers’ or crime shows. When you’re living in an isolated 300-year-old stone house in the land of pre-history in the southwest of France, there isn’t much else to do at night but plant yourself in front of the television. (Living alone, I found it hard to read at night; television at least provided the illusion of company.) But since I have returned to Paris, I have found myself embroiled in my own French soap opera, romantic comedy, and even a police drama, with me cast in the role of the kindly neighbor who the police ask to stay with ‘the little lady’ in case the schizophren who knocked down her door returns. (This was the same young man who previously had lavished my neighbor-friend Sophie and I with fromage, charcuterie, and even multi-colored marshmellows, as well as taken us dancing to a reggae bar on the rue Bagnolet in the netherworlds of the 20eme arrondissement. In the big city, heroes and villains often inter-mingle, sometimes in the same person.) It all ended — until the next chapter, anyway, still unfolding — with Sophie hailing me as the man from providence after I wrested a handful of sleeping pills from her fist on their way to her mouth and before she took off on another two-bottle rouge trip and insisted we watch “Sophie’s Choice” for the umpteenth time.
To get the rest of the article, first published on June 16, 2010 and substantially revised today, subscribers can contact publisher Paul Ben-Itzak at firstname.lastname@example.org. (Just paste that address into your browser.) Not a subscriber? Subscribe to the Arts Voyager for just $49.95/year ($25 for students and unemployed artists) and receive full access to all Arts Voyager stories and art, including stories archived since 2011. To subscribe via PayPal, just designate your payment to email@example.com, or write us at that address to learn how to pay by check, Euros, or British pounds. Subscribe by January 31, 2017 and receive a second, gift subscription for free.
We have a couple of opportunities for affordable lodging in Paris starting in January which will enable us to cover, among other artistic events, upcoming shows from Australian choreographer Lucy Guerin, Belgian company Peeping Tom, Faustin Linyekula, Maguy Marin, various companies you’ve never heard of but should know at the Theatre de la Bastille and elsewhere, the major Frank Capra retrospective at the Cinematheque Francaise, and exhibitions including American art from the 1930s at the Orangerie and — of course and more important — independent visual and performance artists, as well as galleries and art collectives. To do this we need to raise a minimum of $2,000. To donate, please designate your PayPal payment to firstname.lastname@example.org, or write us at that address to find out about donating via check or in Euros or British pounds. Should we fall short of the goal, your donation will be applied to support continuing cultural coverage on the Arts Voyager and Dance Insider. PS: On cherche tjrs quand meme des sous-locations a partir du 23 fevrier.