AV Gallery (from the Archives): The Political Line — Keith Haring in Paris

haring-one

Keith Haring, “Untitled,” April 9, 1985. Personal collection. Acrylic on canvas, 152.4 x 152.4 cm. Copyright Keith Haring Foundation.

By Paul Ben-Itzak
Text copyright 2013, 2017 Paul Ben-Itzak

The monographic Keith Haring exhibition which closes this week-end at the Museum of Modern Art of the City of Paris singularly rescues the signature New York artist of the 1980s from play-land by deliberately placing and arraying the work — in this case, nearly 250 oeuvres executed on canvas, tarpaulins, and even subway walls — in the context of the political engagements that mattered to Haring, as the kid who arrived from Pennsylvania and Holly Golightly-like sketched penises in front of Tiffany’s (see elsewhere in these DI – Arts Voyager Archives) grew into and framed the increasingly harrowing world around him, addressing threats to the environment, Apartheid, racism, the specter of nuclear war, homophobia, and the AIDS epidemic which would take his own life at the age of 31 in 1990. It’s a needed reminder that the apparently fanciful expression, so often imitated since by a generation of gobbling Chelsea regurgitators, distilled a much more considered response to his times. Signifying Haring’s particular attachment to the City of Light, in April Sotheby’s in Paris, in conjunction with the Keith Haring Foundation, even auctioned off some of his work to help pay for the restoration of a mural Haring painted on a wall of the city’s University Necker – Enfants Malades hospital.

In all, the exhibition reveals the textural density and intellectual and art-historical depth behind the deceptively simple line of Haring’s figures and the pronounced colors of his palette. Herewith a sampling.

To receive the rest of the article from the Arts Voyager Archives, first published August 16, 2013, including more images, Arts Voyager & Dance Insider subscribers can contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Arts Voyager & Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, employees, company, association and collective members, etc.) and receive full access to our  Archive of 2,000 articles by 150 leading critics on performances, film, and art and culture from five continents published from 1998 through 2017. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check or in Euros. Contact Paul at paulbenitzak@gmail.com .

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