The Ink that dreams are made of, 3: On the wings of Hergé and Tintin


The prices fetched at auction for the relics of Hergé’s Tintin can seem outlandish, even with the comic book’s international renown. But one of the admirable effects of this hyper-valuation is that it has lifted the esteem of the entire field of what Hergé referred to, in his last, unfinished Tintin adventure, as the “alpha-art” or half-art. Everybody wins. So even if one is not quite ready to fork out between $900,000 and $1.4 million for the 13 1/2 x 28 3/8 original ink and paper drawing for the artist’s 1979 fresco decorating the staircase of the Wallonie-Bruxelles Cultural Center in Paris (reuniting every protagonist of the saga), the pre-sale estimate from Artcurial (which has singularly carved out a name for itself as the leading auction house for comic art) for its October 3 sale in Hong Kong, one can only applaud the heightened encadrement Hergé has brought to his field. Copyright Hergé / Moulinsart 2016 and courtesy Artcurial. — Paul Ben-Itzak

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